The Macro-Management Group is excited to add rockers VELVET TRUCKSTOP to our roster. The band is currently in the studio finishing up their new album which will be released this fall.
Check out a video of the band below:
Tags: Velvet Truckstop
WNCW Radio will feature two songs from the new album TELLICO which will be released on May 5th by Dehlia Low. Tune in to hear two songs from this brand new album!
Up to Scales
Steel drum act Jonathan Scales Fourchestra returns to Boone April 16
By Tiffany Allison
Steel drummer Jonathan Scales, a graduate of Appalachian State University, returns to Boone April 16 for a show at the DragonFly Theater and Pub.
Photo courtesy Jonathan Scales Fourchestra
Taking an authentic Caribbean instrument and turning it into a jazz instrument, Ashville-based Jonathan Scales of Jonathan Scales Fourchestra manipulates the sound of his steel drum, creating a distinct resonance that adds a refreshing vibe to the jazz scene.
His sound is a mixture of Bela Fleck with Harry Belafonte and a splash of Pat Metheny. Mimicking their biggest influence, Bela Fleck and the Flecktones, Jonathan Scales Fourchestra managed to use the steel drum instead of the banjo as their forward instrument while leaning on guitar to provide the rhythm and chord progression.
“He (Bela Fleck) takes the banjo out of its normal settings and does cool stuff with it,” Scales said.
Guitarist Duane Simpson recently joined the group in 2009.
“He brings a strong blues-rock background into the band,” Scales said. “People kind of latch on to that because they are used to hearing that type of sound.”
Starting in 2007, Scales and his drummer, Ryan Lassiter, are the only two original members of the band. They added Shannon Hoover in January 2009 as their bass player around the same time as Simpson. Hoover intermittently adds tight and smooth bass lines throughout their songs and is considered to be one of the most talent bassists in the area.
“He’s pretty much monstrous on the bass,” Scales said. “He’s probably one of the best bass players that people have seen around here. He just brings the whole virtuosic approach to the music.”
Scales has released two albums since his beginning– One-Track-Mind in 2007 and Plot/Scheme in 2008. Plot/Scheme features Flecktone and Grammy award winner Jeff Coffin in the songs entitled “Old Jailhouse” and “Yep.” In reference to working with Coffin, Scales said, “Working with Jeff Coffin was a dream come true. I’ve listen to the Flecktones for years, so it was a big deal for me to work with someone who I’m a fan of and has had a big impact on my style.”
A graduate of Appalachian State University, Scales received his B.A in Music Composition in 2006. Scales started off as a saxophone and percussion player. Inspired by his friends try out for ASU’s steel band, Scales began playing the steel drum his freshman year in 2002.
“It felt natural to me,” he said. “It felt more natural to me personally than playing saxophone, so I was attracted to it more.”
Scales met Lassiter during his time spent at ASU. The two quickly discovered they had a similar passion to create a unique sound of music and decided to form Jonathan Scales Fourchestra. Scales met his other members through his interaction with the music scene in Asheville.
“Being on the scene for a while and playing with all kinds of people, people start to recommend other people that would fit our sound,” he said. “It’s kind of how it happens.”
Even with two new additions, Scales said they have not lost their momentum. If anything, the change has made things run a lot smoother.
“We are still moving full steam ahead,” he said. “I’m focused more on just getting us to the right places and making sure what we are going down the right path.”
Scales accredits his developed sound to him just being himself and writing the kind of music he enjoys.
“I just wrote the music that I like to write and I composed it how I want to compose,” he said. “It just so happens that I play the steel drums.”
The band is not currently recording a new album but is focusing on strengthening its foundation.
“We are still working on some things,” he said. “We are trying to build on what we have right now. We are solidifying the base.”
Jonathan Scales Fourchestra will be playing a Dragon Fly Theater and Pub April 16 at 10 p.m. For more information about Jonathan Scales Fourchestra or to check out their music, please visit www.jonscales.com
we have some great shows coming up here in Asheville
April 30th - Dehlia Low CD Release Party at the Grey Eagle. The band will be joined by the Spring Creek Bluegrass Band
May 15th - Jonathan Scales Fourchestra with Special Guest FUTUREMAN. Yes, that futureman….from the Flecktones….expect the unexpected on this one!
May 21st - Big Sam’s Funky Nation at the Rocket Club - New Orleans Funk at its best! These guys are amazing, and it will be their first visit to our great city. A great primer for Memorial Day weekend!
May 22nd - Sol Driven Train with Velvet Truckstop at the Grey Eagle - if you missed Sol Driven Trains last show at the Eagle, be sure not to miss this one….local rockers Velvet Truckstop open!
May 24th - 3PM at the Grey Eagle - Sol Driven Train will do a kids show for all ages. Be sure to check these guys out at LEAF or the French Broad River Fest with their kids sets! A fun time for all!
There you have it….the busy couple of months for Macro-Management Group. We hope that you will join us for one or all of these shows!
Check it out folks! Thanks to the good tapers of Asheville, you can listen to all three hours from Town Mountains return to the Grey Eagle!
Many can talk the talk - but few can walk the walk. Panist Jonathan Scales without a doubt is ‘walking the walk.’ On his sophomore release called Plot/Scheme, Scales takes the listener not only into unexpected territory, but clearly uncharted real-estate. The fact that he takes us there with the steelpan instrument navigating the journey - is all the more fascinating.
All notions of an island-like, ‘smiley, smiley’ facade are dashed from the onset. His compositions take us through the full gamut of emotions, colors, modes and attitudes of the human experience coupled with social commentary. Humor, sadness, anxiety, joy, rage, horror, confusion, love and surprise - are just a few of the expressions Scales delivers on the double seconds with awesome clarity and control. Jonathan Scales is dropping serious musical conversation.
Although he is only in his early twenties, there is a maturity and deliberate delivery in his style that make you sit back and say “Yes, I hear ya.” Moreover, he already understands that just because ‘I can,’ is not reason to do something musically, particularity in the jazz idiom. However, he persistently challenges the expected/accepted norms.
Jonathan’s touch, command and ability to state his melodies with scary evenness, intelligibility and musical judiciousness - put him on a level not easily attained, and therefore in a class not open, to all steelpan players.
Jonathan Scales clearly has something to say - and he is letting his talent and pan instrument do the talking. There are many pretenders, but double second pan player Jonathan Scales is The Real Deal.
On May 15th, the Jonathan Scales Fourchestra will be joined by the one and only Futureman from Bela Fleck and the Flecktones at the Grey Eagle. Tickets can be purchased from ticket outlets and online at www.thegreyeagle.com!
Asheville’s Town Mountain visits Randy Wood
Bill DeYoung | Wednesday, March 4, 2009 at 12:30 am
The bluegrass band Town Mountain formed in Asheville, N.C., in 2003.
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Lest you think that bluegrass players have to look, act or behave a specific way to be “genuine,” direct your attention to the band Town Mountain, the pride of Asheville, N.C., and Saturday’s featured performer in the “Pickin’ Parlor” at Randy Wood Guitars.
These are young, college-age guys who dress in T-shirts, jeans and baseball caps - in fact, you might initially mistake them for Hootie & the Blowfish.
But this is bluegrass, played - masterfully - on guitar, mandolin, fiddle, banjo and standup bass. Town Mountain’s music has a sort of beerhall-cowboy country edge, which makes it a tad less polite than standard-issue bluegrass - woodenly executed at festivals by clean-cut fellows wearing shirts, ties and Stetsons - but much more exciting.
Granted, Town Mountain isn’t the only group of very young players exploring Appalachian traditions. But the band’s music - their most recent album is called “Heroes and Heretics” - is lyrically rich, and musically adrenalized.
Guitarist, singer and “de facto bandleader” Robert Greer graduated from Wofford College with a B.A. in government; his “Ruination Line” is a blistering state of the union address disguised as catchy mountain music.
Town Mountain’s strongest link to bluegrass’ illustrious past might be their performance style: They use a single microphone, balancing their three-part vocal harmonies around it. Each player takes his solo by literally “stepping up” to the mic.
And that is delightfully old-school.
Dehlia Low will release their first full length studio album on May 5th, 2009. The band will celebrate the release with a show at the Grey Eagle with Colorado’s Spring Creek. The new album features such favorites as Tellico, Bide My Time, and many more!
Tags: Dehlia Low
Heroes and Heretics sits at #22 on the Roots Music Report Bluegrass Charts. Thanks for the continued support for this great album!